Completed: Muse Jenna Cardi

When I first saw the Jenna Cardi pattern from a new(ish) indie pattern company, Muse, I was very intrigued! I wear cardigans all the time, so they are definitely a gap in my homemade wardrobe. Most of mine are pretty nice wool cardigans that I’ve found at thrift stores, but I still like the idea of making my own. Knitting cardigans is another story completely… they’re fun, but they sure are a lot of work! (Spoiler alert: I actually just finished knitting my first cardigan! It still needs buttons, and then once I find a way to take some pictures, it will be up on the blog!)

Anyways, I really wanted to try out this pattern, and I figured that this lightweight acrylic sweater knit that I bought in Montreal would be a good fabric to try it with. (I’m not sure exactly what to call the fabric – it’s not really what I think of as a sweater knit but it’s definitely not a jersey, so I’m sticking with “lightweight sweater knit”). I usually stay away from synthetics whenever I can, but I loved the print on this one, and it was second piece of my $5 fabric bundle from the by-the-pound bin at Stretch-Tex. It also went really well with the fabric I used for this dress, so it made a lot of sense to make a cropped cardigan that I could wear with it!

I decided to go for variation B with the shoulder yoke detail, even though it wouldn’t be super visible with the print. This was intended as a wearable muslin, and I knew I would want the yoke if I made it in a solid colour, so I wanted to try it out. I made it waist length, and I originally cut out the full length sleeves (although as you can see, they became ¾” sleeves when I decided that the print was too overwhelming for long sleeves).

After taping together the PDF pattern (which went quite quickly, since it’s designed so that you only have to print out the pieces specific to the view you’re making), I sized it down one size. The second and third patterns from Muse are available in my size, but this one wasn’t! Sizing it down was really straightforward though, so I’m not complaining.

Muse patterns are designed for a height of 5’ 10” (!), so being only 5’ 2”, I figured I would need to shorten this quite a bit! I held up the pattern pieces and compared them with a cropped cardigan I already own, and decided to shorten it 1½” from the main bodice (I left the band as-is). There were no shorten/lengthen lines on the pattern (something that might be a good addition for future patterns, especially since they’re designed for someone tall), so I just cut it about ¾ of the way down the bodice, overlapped it, and smoothed out the edge.

This went together pretty quickly and easily until reaching the button band. I sewed all the seams on my serger, and lightened the pressure of the presser foot on my regular machine for the topstitching. When I got to the button band, I realized that I forgot to shorten that piece to make the shortened bodice pieces. This would have been an easy fix, although instead of doing the logical thing and also shortening it by 1 ½”, I just held it up to the edge and cut it where I thought it need to be cut, without taking into consideration that it doesn't stretch after interfacing it, whereas the rest of the cardigan does. My button band ended up just a little too short, so I had to take in the seam that attaches the bottom band to the bodice a little, and now it’s just a bit too short in the front and I find myself tugging it down. In retrospect, I probably should have just re-cut the button bands since I had enough fabric left over.

That wasn’t the worst part about the button band… while topstitching it, my machine had a bit of a temper tantrum and I ended up unpicking quite a bit. Let me tell you, unpicking black topstitching on a black sweater knit is NOT easy! This was probably the longest step in the whole construction because of it.

I used my Singer buttonhole attachment for buttonholes, which worked quite well… until the last one. And of course, I always start buttonholes at the bottom, thinking that they’ll get better as I go along. So, the one it messed up was the very top one! You need to go over the buttonhole twice with it, and the second time, it was completely crooked! I think the bulk where the binding and the button band seam overlap might have caused it to shift while it was doing the buttonhole. I was going to unpick it and redo it, but then I remembered what a nightmare unpicking the topstitching was. In the end, I just used a lot of fray check and used some hand stitches to fix it up, and I think it’ll stay in.

The buttons were vintage from my Grandma’s stash, and I really like them! They’re maybe a little flashier than my usual tastes, but I think they suit the fabric. You can't really see them that well in any of these photos, but they're black, shiny, and shaped a little like gemstones.

Buttonhole issues aside, I’m quite happy with this cardigan! There are a few things I would change in terms of the fit, but it’s very wearable and very cute. I think I shortened it a bit too much, and for my next version (which I’ve already just about finished), I only shortened it ½”, which I think is better. This one looks good with a dress but is a little too short to wear with a skirt or high-waisted jeans. The shoulder seams where also a little too wide in this version, so I took them in a touch. If I make it again with ¾ sleeves, I’ll lengthen them just a little. I’m not sure how they compare to the ¾ length pattern piece, but I just chopped off the long sleeves where I thought it would look good. I like how the length looks, but the seam hits right at the crook of my elbow which isn’t the most comfortable. 

I would also probably make the cuffs a bit snugger. If you look closely, they are actually slightly different sizes, because I when I originally cut it out, I thought I was making it with full sleeves, so I cut the cuff for that variation. But I made the mistake of only cutting out one! By the time I realized this and had to cut the second one, I had already shortened the sleeve, so I cut a cuff for the 3/4 length sleeve without thinking, and didn't realize it until after sewing it on, so that one's a little bigger. I actually prefer the full length sleeve though, and might take it in a little further for a snugger ift.

Overall, I’m seriously impressed with Muse Patterns! As I said, the PDF was easy to put together, and the instructions were very well-written. I love that the designs have little vintage details, but are still very wearable, and I LOVE that they’re designed for knits. I’ve already bought and made the Nathalie top as well, and I’m really happy with that one too. I can’t wait to see what’s next!

Cardigan: Me-made (Muse Jenna Cardi)
Dress: Me-made (Colette Moneta Dress)
Tights: Hue
Boots: Steve Madden

Completed: Colette Ceylon Dress

With every project, I try to do at least one thing I've never done before. With this dress, I tried lots of new things! It was my first time using a Colette pattern, sewing with wool, sizing down a pattern, fitting a pattern completely on my own, making covered buttons, and making buttonholes. Whew!

This was also sewn for my first time participating in an online sewing challenge, the Frocktober challenge at The Monthly Stitch, but I kind of missed the deadline so I'm not sure that entirely counts. Oops. I blame this:

So, the dress! It's the Colette Ceylon, sized down. I sized it down one and a half sizes smaller than the size 0 at the bust, one size smaller at the waist, and a half size smaller at the hips and graded between them. I didn't think to follow any sort of tutorial but it seemed to all work out (even the notches, which I wasn't sure would line up when I was done). I used a bunch of math to figure it out but I won't bore you all with the details. It took a while, but I guess it's just another step that I'm going to have to get used to doing. I then traced all my pattern pieces onto Swedish tracing paper so that I could keep the original sizes intact (which I do with all my patterns).

The great thing about Swedish tracing paper is that you can pin or baste it all together before you cut your fabric, which sometimes completely eliminates the need for a muslin. I prefer pinning so that I can easily un-pin and adjust as needed. After pinning it all together, I knew that I would need to take in the shoulder seams and adjust the back. I made the alterations on the pattern pieces and it seemed to work, but I wanted to be sure so I made a muslin anyways, since the tracing paper doesn't drape (or gather) like fabric does.

As it turns out, the changes I made to the pattern pieces were spot on, and the only thing I changed after making the muslin was that I took a little out of the centre of the gathered back piece, since it just seemed to emphasize my slight swayback. I was amazed and pleased that I had to make no bust adjustments, which I think is a first.

I laid out the altered pattern pieces on my cutting table, and realised that I could get the whole dress out of 1.6 metres of fabric as opposed to the suggested 3 yards (2.7 metres). When I bought fabric, I got 1.7 just in case. The fabric is 100% wool that I found at a local discount fabric story for $12.99 a metre. It frayed like mad, but other than that was very cooperative and sewed up nicely. This fabric store is the kind of place where a lot of fabric isn't even marked with fabric content, so I don't know what this type of wool would technically be called. Maybe gabardine? It has a little more body than a crepe but still has nice drape and is thin enough to be gathered.

This being my first time working with wool, I wasn't entirely sure what I should do to pre-treat it. Honestly, I don't want to have to dry clean this dress - I'll probably wash it by hand. I don't mind dry cleaning fancy dresses like this vintage one because they're quite precious to me and they don't need it very often, but a casual dress? No way. After testing it out on a small square of fabric, I threw caution to the wind and put it in the washing machine. I find dealing with uncut fabric quite annoying, and didn't really want to handwash it (although in my defense, I did put it in the handwash cycle and my machine is quite gentle). After coming across this article on Coletterie while trying to figure out what the heck wool challis was (I was browsing online fabric stores), I wish I had tried putting it in the dryer with a wet towel, but oh well. Next time. 

On a side note, I've been pronouncing "challis" wrong my whole life, and so has my mom. It's "shall-ee", apparently. I'm guessing it comes from a French word, just like crepe or boucle, because that's how you would pronounce it in French.

Where were we? 

Oh yeah, this dress. My wool looked just fine and not at all felted or shrunk after coming out of the washing machine, so no regrets there. Cutting it out was a pain and took forever, because I don't have a cutting mat big enough and have to shift it around. Usually this isn't a problem, but this wool seemed to want to stick to the mat and every time I shifted it it dragged the fabric with it, which meant I had to re-position the pattern pieces every time. I used pins up until quite recently (my second Cambie dress what the first thing I cut out using only weights, and I was amazed at how much faster it was), and now I'm too stubborn to go back to using them. In the end (after I'd spent over an hour re-arranging the pattern pieces) I gave up and pinned what was left to cut out.

After that, the construction went amazingly fast (for me, anyways). I sewed the whole thing except for the sleeves, buttons, buttonholes, and hem in one day, and I even took some - gasp! - homework breaks. I thought it would take a while because it has a lot more pieces than other dresses I've made, but I suppose being unlined helps.

Something interesting about how this dress is sewn that I never seen before is that rather than sewing a seam, pressing it, and edgestiching it, you staystich, press the seam allowance under, then just place in on top of the other piece and edgestich. I thought that I would have trouble with it, and figured I would probably resort to stitching it and then edgestich it, but it was surprisingly easy (although I was being a total perfectionist with my edgestitching, and made myself redo lots of it because it was too far from the edge). I'm not sure what the advantage to doing it this way is, but it seemed to work quite nicely.

Partway through the construction, I realised that I took a bit too much out of the back piece after my muslin (2 cm), because my gathering didn't look much like gathering. Because I didn't have enough fabric to re-cut the piece, I just took out an inch of gathering stitches (5 stitches) on either side, and then gathered it. I'm quite happy with how this turned out, and I might actually do the same for my next one, rather than adding back some of the fullness that I took out.

The only real hitch was my machine. It was doing funny things, so in the end I used my mom's. This was fine up until I finished the sleeves, but her machine (although a better machine than mine in many ways) doesn't do nice buttonholes. I wanted to do the buttons and buttonholes before the hem because I wasn't sure where I would want to hem it, and wanted to be able to see what it looked like buttoned up before deciding. So, this sat as a UFO for a very long time while I was too busy (aka lazy) to figure out what was up with my machine.

In the meantime, I made my buttons! I only bought 15 instead of 16 because that was all the store had in the right size, and they came in packs of 5 so it seemed to make sense. I figured that since I'm short and I was making smaller than the smallest size I could get away with it. I bought a tool for making them, too, to make things easier for myself.

I won't go into too much detail since there's plenty of tutorial out there on how to do this, but I quickly realised that a faster of making them was to cut a rectangle and cut away the excess as opposed to cutting a circle. If the circles weren't perfect, I had to re-cut them, so I figured that this way, they would fit perfectly every time.

And ta-dah! Covered buttons!

When I finally sat down to fix my machine, there were two things wrong with it. One, it needed to be oiled, and two, I was threading it wrong. I mean, duh! I felt pretty stupid. This machine is a relatively recent acquisition - I bought it secondhand because it was a great price, it's tougher than the machine I was using before, and it does nice buttonholes. I was going to give it its own blog post, but I have way too many other things to blog about. Sorry, machine! (It has yet to be named.)

Anyways, I have no idea when the last time it was oiled was, so that should have been the first thing I did when I got it. Actually, the first thing I should have done was had it serviced because it sounds like it had been out of use for a long time when I bought it, but I wanted to use it right away. Its performance improved so much after oiling it, but it would still get caught every so often. So, I admitted that I couldn't figure the thing out without a manual (it had been lost before I bought it) and bought one online. Turns out there's a little hook that you have to open up the machine to see that you're supposed to put the thread through, which keeps the thread from getting caught. Oops.

So, after fixing that, I could finally do my buttonholes. This was fairly nerve-wracking for me, even though I did a bunch of practice ones (this was only one of my samples...).

I don't know what's going on with this photo because the colour is completely different in the actual photo, and it just changed when I uploaded it. 

I ignored the button placement that was marked on the facing piece, and arranged them so that there would be no buttons directly on a seam. I didn't think it would look very good, and it would have made buttonholes trickier. At this stage, I also realised that it would be really nice to have one of those tools to determine your button placement. I measured the distance between every one individually and marked them with chalk, which took a while.

The first buttonhole was terrifying...

...but didn't turn out too badly!

I regretted using white interfacing, though. I really should have used black but I wasn't really thinking. So, out came the Sharpie. It wasn't a perfect match, but it worked.

Bottom right is before, top is after

Sewing on the buttons took me just as long as the buttonholes, which I hadn't really expected. I suppose it didn't help that my cat kept deciding that my dress was a comfortable place to sit.

Ready for the major blooper? I got to the end of my buttons, and still had a buttonhole left. I thought that I must have lost a button somewhere and looked around, but then I counted the buttonholes. There were 16 of them... *facepalm*. I don't know what I did wrong. I laid out the buttons so that I could see where they looked nice, and then I removed them one by one and drew in where the buttonhole should go. Somehow, though, I ended up with one buttonhole too many, and buttonholes are one of those things that are pretty permanent. I haven't decided what I'll do yet. I might go out and buy another five buttons, but I might just leave it. It's far enough down that it's not too noticeable... right? Maybe people will just think I forgot to button the last button... every single time. It's possible.

If you look closely, you can spot the lone buttonhole.

In case anyone is thinking that this was another mistake, I sewed the buttons on the wrong side on purpose. They're easier to get on that way, and hey, I don't want to be trying to button up 15 (maybe 16) buttons the hard way when I'm late for school. Most of you are probably familiar with this already, but men's and women's clothing have buttons on opposite sides because historically, men would usually dress themselves (and most are right-handed), so their buttons are on the right side. Women's shirts and dresses have their buttons on the left side because they would often have servants dressing them, meaning that the buttons would need to be on their servant's right. But quite frankly, I've been capable of dressing myself for quite a while now, so I see no reason to put my buttons on the side that's convenient for my non-existent servant. 

I thought that I would want to shorten the dress, since I'll probably be wearing it with boots and I find dresses worn with boots look nicer if they have a little bit of leg (or stocking) showing, rather than the dress going down to where the boot starts. But when I tried it on pinned above the knee, it just didn't look right. Below or just at the knee is much more flattering on me than above, and suited the style a lot more.

I thought that I would do a blind hem by machine because I didn't really feel like hemming by hand. Plus, a blind hem foot came with my machine and I'd never used it before. Honestly, though, I was disappointed. If anyone out there avoids doing blind hems because they don't have the proper foot, don't. Until yesterday, I had always done blind hems with a regular foot and had no problem with it. I actually think my blind hems without the blind hem foot look nicer because the foot makes the needle catch more fabric than I usually would with my blind hems.

I decided that this looked horrible, so I ripped it out and did it by hand. I used slipstiching rather than catchstiching, which I find just as invisible but much faster. The whole hem took me about 20 minutes.

For whatever reason natural light made this look a lot more purple. The other pictures show the colour better.

Overall, I love this dress! It fits me really well, and it's really warm. The fabric, being wool, is a little scratchy but no more than a wool sweater would be (and in my opinion, the warmth of wool makes up for any scratchiness). It doesn't bother me at the moment, but if it ever does, there's enough each in it that I could wear a slip or even just a tank top underneath. I usually avoid drop-waist styles because I prefer to emphasize my waist rather than my hips, but I find this very flattering. The only change I would make it I make it again is that I would add a little bit back onto the shoulder seams, because I think I took them in a little too much - I took them in an inch, when maybe I should have only taken in 1/2" or 3/4". I would also reduce the area that's gathered above the bust because it looks more like it was eased in rather than gathered.

Oh, and sadly it was too wet to take photos outside, so I shot these in my brother's old bedroom. He's away for university so his room is pretty empty, and this was the only place in the entire house that had a neutral enough background and decent lighting (although looking back it really could have been better). I think this may become my fall/winter photoshoot location anyways since soon it will be too cold to take photos outside in indoor clothes. When I took my close up pictures outside (because I thought the lighting would be better, when really it distorted the colour a lot), I had to wear my wool coat, so I don't think I would have been warm enough in only a dress, anyways (even a wool one!) I also took these photos with our point-and-shoot because I didn't really feel like bothering with the DSLR that I've used for my other photos. Theses aren't great, but they'll do.

For more pictures (I took lots this time!), have a look at my flickr.

Wow, that was a lot of writing! If you got this far, thanks for reading! (Heck, thanks for reading even if you didn't.)

Dress: Colette Ceylon
Tights: Hue
Shoes: Chelsea Crew

My sewing companion.